Will you be Meeting the Krampus or Čert?

krampus-stuffing-children-into-basket

Traditionally on December 5th and 6th, St. Nicholas walks from house to house in the cities and villages of Alpine and Central Europe to admonish and laud young and old. In the Alpine regions, he is accompanied by a Krampus (an evil creature, a devil of sorts), who is going to punish the bad children and adults on St. Nicholas′ command. For the honest children he normally has little presents. In Prague and the Czech-speaking areas of Central Europe, the čert (a clearly demonic character) accompanies St. Nicholas.

In Come Hell or High Water, both St. Nicholas and his čert appear:

“It was commonly supposed [in 1356] that St. Nicholas, as he made his rounds bestowing gifts on children and the needy, was accompanied by both a tar-covered čert, a pitch-black devil, as well as a bright and glorious andel, an angel of light, who each argued for or against the worthiness of the recipient of the saint’s benefactions. The čert was always ready, at the slightest nod from the saint, to carry away the unworthy beggar or misbehaving child and–throughout the year–parents could always warn their children that they might be carried away by the čert….”

St. Nicholas himself is a Christian figure, the fourth century bishop of Myra. As son of a well-situated family, he started to help poor people who lived in deep poverty. He was supposed to have miraculous vigor and so he became patron of the seamen, children and poor people. (See a previous post about St. Nicholas and his care for the poor here.) In most modern versions of the St. Nicholas story, he is accompanied by a monster or servant (the Dutch describe his assistant as Black Peter) who punishes the bad children while Nicholas himself rewards the well-behaved children.

The figure of the Krampus is based on pre-Christian custom. The Krampusse not only punish the bad children but had the function at one time of driving out the winter devils and blizzard sprites. Originally the custom of the Krampus was spread over all of Austria but was forbidden by the Catholic Church during the Inquisition. It was prohibited by death to masquerade as a devil or an evil creature and so this custom only survived in some remote, inaccessible, regions of the Alps from where it slowly spread back across the western parts of Austria again. Today the Krampusse revels are especially popular in Salzburg. As many times as I have been to Salzburg, I have never been there during Krampusse-time; I would dearly love to be there to see the processions and parades of costumed characters in the streets.

St. Nicholas and the Krampus procession in Salzburg (2010); photo by Charlotte Anne Brady.

St. Nicholas and the Krampus procession in Salzburg (2010); photo by Charlotte Anne Brady.

Krampus revels at the Salzburg Christmas Market, 2011; photo by Neumayr/MMV 05.12.2011

Krampus revels at the Salzburg Christmas Market, 2011; photo by Neumayr/MMV 05.12.2011

The Harvest of Death

The Dormition of the Mother of God, commonly called the “Assumption” by Western Christians, celebrates the falling-asleep of the Mother of God on August 15 and her translation into glory at the right hand of her Son. This deathbed scene is often depicted in Orthodox icons and medieval Western paintings with Mary dying as the apostles surround her deathbed and Jesus gathers her soul into His arms like a new-born child (similar to the way He is depicted in swaddling bands at Christmas). It has been said in at least a few sermons that, “If Christmas is God’s birthday into humanity, then Dormition is humanity’s birthday into divinity."

The Dormition of the Mother of God, commonly called the “Assumption” by Western Christians, celebrates the falling-asleep of the Mother of God on August 15 and her translation into glory at the right hand of her Son. This deathbed scene is often depicted in Orthodox icons and medieval Western paintings with Mary dying as the apostles surround her deathbed and Jesus gathers her soul into His arms like a new-born child (similar to the way He is depicted in swaddling bands at Christmas). It has been said in at least a few sermons that, “If Christmas is God’s birthday into humanity, then Dormition is humanity’s birthday into divinity.”

One of the classic prayers for the dead in both Latin-speaking and Greek-speaking Christianity is a psalm about the harvest. Psalm 64/65 begins:

“You are to be praised, O God, in Zion:
to you shall vows be performed in Jerusalem.
To you that hear prayer shall all flesh come…
Our sins are stronger than we are,
but you will blot them out.”

The psalm goes on to describe God’s power to erect mountains and calm the roaring of the sea, to call the sun to rise and set, and then concludes:

“You prepare the grain,
for so you provide for the earth.
You drench the furrows and smooth out the ridges;
with heavy rain you soften the ground and bless its increase.
You crown the year with your goodness,
and your paths overflow with plenty.
May the fields of the wilderness be rich for grazing,
and the hills be clothed with joy.
May the meadows cover themselves with flocks,
and the valleys cloak themselves with grain;
let them shout for joy and sing.”

The psalm celebrates both death and harvest as two sides of one mystery, the resurrection of both human corpses and the seeds that are cast into the earth to die and rise again — and be harvested, thus continuing the cycle.

As part of the mid-August celebration of the Dormition (“falling asleep”) of the Mother of God, flowers and fragrant herbs are brought into the church to be blessed. This aspect of Dormition celebrates the harvest going on in the fields outside the churches and the “harvest” of each human life on their deathbed. This harvest and gathering into glory of each human life to await the End Times or Last Judgment gives the practical duties of farmyard duties a very apocalyptic or eschatological flavor. (Apocalypse and eschatology relate to “End Times” and “Last Things.”) This human harvest is celebrated again at the end of the farmyard harvest season with Halloween and the Day of the Dead in November.

The flowers and herbs blessed on August 15 are thought to disperse devils by their fragrant scent and to keep devils from trapping the soul of a dying person if they are placed around the deathbed.

Lammas Day, the beginning of Autumn 2016

Lammas bread loaves, fresh from the oven on my kitchen counter.

Lammas bread loaves, fresh from the oven on my kitchen counter.

August 1 is Lammas Day (Anglo-Saxon hlaf-mas, “loaf-mass”), the festival of the wheat harvest, and was considered the first day of autumn in the traditional calendar of the pre-modern West (much as Labor Day is the beginning of autumn in the culture of the modern United States). On this day it was customary to bring to church a loaf made from the new crop, which began to be harvested at Lammastide. The loaf was blessed, and in Anglo-Saxon England it might be employed afterwards to work magic; a book of Anglo-Saxon charms directed that the Lammas Bread be broken into four bits, which were to be placed at the four corners of the barn, to protect the grain stored in the barn. In many parts of England, tenants were bound to present freshly harvested wheat to their landlords on or before the first day of August. In the Anglo-Saxon Chronicle, where it is referred to regularly, it is called “the feast of first fruits”. (In Eastern Europe, the first honey of the season was brought to church to be blessed on August 1.)

As the wheat must have run low in the days before Lammas, and the new harvest began a season of plenty, of hard work and company in the fields, reaping in teams, there was a spirit of celebratory play. In the medieval agricultural year, Lammas also marked the end of the hay harvest that had begun after Midsummer. At the end of hay-making a sheep would be loosed in the meadow among the mowers, for him to keep who could catch it.

In Shakespeare’s Romeo and Juliet (1.3.19) it is observed of Juliet, “Come Lammas Eve at night shall she [Juliet] be fourteen.” Since Juliet was born Lammas eve, she came before the harvest festival, which is significant since her life ended before she could reap what she had sown and enjoy the bounty of the harvest, in this case full consummation and enjoyment of her love with Romeo.