“Pleasing is the fragrance of your perfumes….”

This image of the Mother of God, “Health/Salvation of the Roman People,” dates from the 6th century and is kept in a chapel of the St. Mary Major basilica in Rome. The Mother of God is frequently identified with the bride in the Song of Songs; just as this image is reputed to bring health and salvation to those who venerate it, the fragrance which the bride shares with her companions also brings health and salvation.

“Even though one may gather every perfume and every flower of fragrance from all the different meadows of virtue and is able to make one’s whole life fragrant with the scent of all these virtuous actions … still one could not look steadily upon the Bridegroom, the Word of God, any more than one could look directly at the sun.”

St. Gregory of Nyssa is commenting on a verse from the Song of Songs:

“Pleasing is the fragrance of your perfumes;
    your name is like perfume poured out.” (Song of Songs 1:3)

St. Gregory goes on to quote St. Paul the Apostle, who said that he was “the good fragrance of Christ” (2 Cor. 2:15). St. Gregory points out that the apostle “inhaled the fragrance of that inaccessible and transcendent grace, offering himself to others as a kind of incense for them to partake of according to their ability….” St. Gregory urges us to treasure this fragrance in our hearts, as the bride does in the Song of Songs. The bride makes a sachet of this fragrant perfume and keeps it between her breasts; the warmth of her heart enables all her actions to spread the beautiful scent of the perfume.

Some manuscripts specify that this perfume is frankincense or myrrh. In the medical theory of the ancient world, these scents strengthened and energized certain animals but acted as poison to others. The effect of these scents on humans, however, was the result of human choice: a person could choose to be energized and invigorated by the scent or to be weakened and debilitated by the scent.

The choice is up to us.

“Daughters of Jerusalem:” the Children of Our Lady

Mary, the Mother of God, nurtures and is nurtured in glory by her Beloved, her Son; the eight angels reveal the mystery of the Eighth Day, the glorious Kingdom of God, which is manifest in the celebration of the Holy Eucharist. At the altar, we enter into the eschatological reality of the Paschal Mystery, as we worship together— one Body of Christ, in heaven and on earth.

“Is he your Son, O Virgin of virgins? Is he your beloved, O most beautiful of women? ‘Clearly so… he is my Son, O daughters of Jerusalem (Song of Songs 5:9, 16). My beloved is love itself… and is found in whosoever is born of him.'”

In one of his sermons for the Nativity of the Mother of God, St. Guerric of Igny places these words from the Song of Songs on the lips of the Virgin Mary when he–the preacher–asks the Virgin to tell the congregation listening to the sermon about her Beloved, who is her Son. In this sermon, the “daughters of Jerusalem” are the monks and visitors listening to the sermon. These daughters of Jerusalem are also claimed as children of the Virgin as well: St. Guerric preaches that “she desires to form her Only-begotten in all those who are her children by adoption…. she nurtures them every day until they reach the stature of the perfect man, the maturity of her Son [Ephesians 4:13], whom she brought forth once and for all.” All those in whom love is found are members of her Son and thus her children by adoption and she nurtures them to share more completely in that Love which took flesh in her womb.

Just as St. Paul labored to give birth to Christ in his spiritual children (Galatians 4:19), the Mother of God is the mother of all those in whom Christ is born. “She herself, like the Church of which she is the type, is the mother of all who are reborn to life,” St. Guerric preached. What Mary gives the world, clothed with flesh, the Church gives us clothed with words, bread, wine, water, and oil. As the daughters of Jerusalem, we–no less than those who heard St. Guerric first preach his sermons–are privileged to nurture Love within us and among us as children of Mary, members of her Only-begotten.

St. Guerric of Igny (died 1157) was a scholar who became a disciple of St. Bernard of Clairvaux and took monastic vows to remain in St. Bernard’s community. But in 1138 St. Guerric was sent by St. Bernard to be the second abbot at the new monastery of Igny, near Rheims. As abbot there, St. Guerric became famous for the sermons he preached. His sermons for Advent-Christmas-Epiphany-Purification are especially stunning. Find translations of his sermons here.

“I am Black and Beautiful:” the Queen of the South

The Queen of Sheba, whom Jesus refers to as “the Queen of the South” who “came from the uttermost parts of the earth”, i.e. from the extremities of the then known world, to hear the wisdom of Solomon (Matthew 12:42, Luke 11:31), has long fascinated us. She is a mysterious figure who appears briefly in 1 Kings 10 and 2 Chronicles 9 and then seems to vanish again. Who was she? What do we really know about her? Why should we care?

Sheba, also known as “Saba,” is mentioned in the Psalms. It was a wealthy kingdom that included modern Yemen and Ethiopia and was connected to a vast network of trading routes and business exchanges. When the Queen came to visit King Solomon, it might well have been a trade mission–a sort of G8 meeting!–to make new trade deals and sign new business agreements between the two monarchs. Solomon and the Queen were both known for their wisdom and keen senses; while striking their business deals, they traded riddles. Folklore has suggested many possible riddles that they might have traded, including the famous, “What land has only seen the sun once?” (Answer: the bottom of the Red Sea, which was exposed to sunlight when it parted for Moses and the Hebrews to escape from Egypt.)

Origen, who wrote a voluminous commentary on the Song of Songs, identified the bride of the Song with the “queen of the South” of the Gospels, i.e. the Queen of Sheba, and assumed she was Ethiopian as the bride in the Song says, “I am black and beautiful” (μέλαινα εἰμί καί καλή ). Not only is the bride in the Song identified as the Queen of Sheba, the bride is also understood by Christians to be an allusion to both the Church and the Mother of God. (It is the identification of the Mother of God with the dark and beautiful bride that results in the depictions of the “black Madonna.”) Because of the identification of the bride as Queen, Church, and Mother of God, the Queen of Sheba herself comes to be seen as a type of the Church and the Mother of God: the wonderful gifts of gold and incense that the Queen brings Solomon is seen as a foreshadowing of the adoration of the Magi (Matthew 2) and the Queen of Sheba enthroned represents the coronation of the virgin.