A Rider Faithful and True

The rider Faithful and True on his white horse in the Tolkovy Apocalypse (Moscow, early 17th century).

And I saw Heaven wide open, and behold, a white horse; its rider’s name was Faithful and True and in righteousness he judges and makes war…. he was clothed in a cloak dipped in blood , and he was called the Word of God. (Apoc. 19:11, 13)

Christ, the Word of God, rides into battle and emerges victorious. The Word of God, the Logos, is the divine blueprint for the universe while the Wisdom of God is the practical application of that blueprint.

The New Testament tells us that the Word was made flesh (John 1:14) and the Old Testament tells us that Wisdom leaped down from the heavenly throne in the middle of the night to save the Hebrews in Egypt. This image of Wisdom coming to earth at midnight (Wisdom 18) to slay the enemies of Israel was first used by the Church to describe Christ’s descent into Hell and his Resurrection during the night between Holy Saturday and Easter morning but then the image of Wisdom’s descent to earth at midnight also suggested the birth of Christ at Bethlehem and eventually resulted in our celebrations of “Midnight Mass” on Christmas Eve.

The Word was made flesh. Wisdom came to earth. To say that “Wisdom built herself a house” on earth is the poetic equivalent of saying “The Word was made flesh and dwelt among us.” (Pope St. Leo the Great, Tome 2) The victory of the Word over the enemies of God is the victory of Wisdom over the enemies of God.

Christ is the Wisdom of God made flesh but because Wisdom—“Sophia” as she is identified in the oldest manuscripts of Proverbs—is a woman’s name, Wisdom has also been considered an allusion to Christ’s most pure Mother, the ever-blessed Virgin Mary. The victory of the Word-Wisdom is also the victory of the Mother of God, the Second Eve, treading on the head of the serpent that overcame the first Eve. Our Lady of Victory, although a feast to commemorate a victory over the Turks, is also an allusion to the victorious Mother of God who shares in the victory of her Son. She makes her Son’s victory possible by giving him flesh in her womb.

The Whore of Babylon

I saw a woman mounted on a scarlet beast…. the woman was clothed in purple and scarlet and bedecked with gold and precious stones and pearls. In her hand she held a gold cup full of all obscenities and the filth of her fornication…. I saw the woman was drunk with the blood of God’s people and with the blood of the martyrs of Jesus. (Apoc. 17:3-4, 6)

This woman, the famous “Scarlet Woman” and the “Whore of Babylon,” is the antithesis of the woman clothed with the sun in Apocalypse 12. The woman clothed with the sun gives birth to Christ in her children; the Scarlet Woman is drunk with the blood of those children, now martyred. The woman clothed with the sun is attacked by the dragon, the Antichrist; now the dragon, the Antichrist, escorts the Scarlet Woman in her apparent hour of triumph. The woman clothed with the sun is a mother who remains forever a virgin; the Scarlet Woman is the mother of all abominations and prostitutions imaginable. If the woman clothed with the sun is Sophia, the Divine Wisdom (Proverbs 8-9, Baruch 3-4, Wisdom 6-8), then the Scarlet Woman is the “loose woman” whose house is the gateway to Hell (Proverbs 7, 9).

The icons of Novgorod used scarlet as the background of divine light, out of which the saints stepped to greet the faithful. It is also the color of the Hellmouth, the great beast who devours the damned in icons of the Last Judgement. Scarlet is the presence of God who can be accepted or rejected but never escaped.

The Scarlet Woman is at the moment of decision, capable of giving herself over completely to the destruction of beauty and light or of turning aside from that path of destruction. She can remain the Whore of Babylon or become the Virgin Mother of the faithful, the “holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride for her husband” (Apoc. 21:2).

(For a fuller discussion of the woman clothed with the sun and the whore of Babylon, see my chapter “Clothed in Scarlet, Clothed with the Sun: Thoughts on the Women of Apocalypse 12 and 17” in Earth’s Abominations: Philosophical Studies of Evil available here.)

Armageddon

The sixth angel emptied his bowl, Angers Apocalypse tapestry, 1377-82, commissioned by
Louis I duke of Anjou, designed by Jean Bondol (Chateau d’Angers, France).

The sixth [angel] poured out his bowl on the great river, the Euphrates, and its water was dried up, to prepare a way for the kings…. Then I saw coming from the mouth of the dragon, from the mouth of the beast, and from the mouth of the false prophet three foul spirits like frogs…. “Behold, I come like a thief!” Blessed is he that stays awake and keeps his garments by him, so that he does not walk naked and his shame is seen. And they mustered them at the place which is called in Hebrew, “Armageddon.” (Apoc. 16:12-13, 15-16)

Almost everyone recognizes the place-name, Armageddon. It is imagined to be the location of the last battle–or maybe the nuclear war–that destroys the world. But very few people know anything more than that.

“Armageddon” means “the mountain of Megiddo.” This is a mountain pass in the north of Israel that makes possible passage from the coast to the plain of Jezreel. It is a geographic feature important for military-strategic reasons. Many battles were fought at Armageddon; it was especially associated with disaster after the death of King Josiah there (2 Kings 23:29-30).

Armageddon is also important in the Old Testament book of Judith, which is an extended parable about God’s deliverance of his Chosen People. (We think of parables as only a few sentences–or at most, a paragraph or two–because Jesus’ parables were all short. But there is no composition rule that insists that a parable has to be short.)

It is also interesting that the Old Testament readings generally called “prophecies” by Western Christians on Easter Eve or other significant occasions are called “parables” in Church Slavonic.

Judith lives in an imaginary town near the Armageddon pass. By placing the town there, the people hearing the parable would immediately know that the story of Judith was about the End of Days, the great Last Battle when they hoped that God would deliver his people from all their enemies. The people hearing the story of Judith knew that it was not history as we think of history. It was never meant to be understood as an historical record. It was a parable: a story told to make a point, to illustrate something true that was otherwise difficult to grasp or understand. The story of Judith at Armageddon is like the story of Moses at the Red Sea–God acts in a miraculous way to save his people through the intervention of his chosen servant. Judith is a female figure that represents the faithful of Israel, identified by the prophets as the Bride of God.

Because the enemies of Israel almost always have to come through the northern mountain pass at Armageddon to attack Israel, the direction North became associated with evil and the powers that oppose God or his people. That is why the medieval Western Christians would read the Gospel at High Mass facing north–both to proclaim the Gospel to the pagans living far in the north but also to proclaim God’s triumph over all the powers that oppose him. Reading the Gospel facing north was a kind of exorcism of the neighborhood, telling the devil to “Go away! You have no business here, devil! You have already been defeated by Christ–stop trying to avoid your inevitable imprisonment in Hell!”

When St. John described the battle at Armageddon, he might or might not have thought people would identify the earthly mountain pass as the place of the Last Battle. But they would certainly understand that wherever the Last Battle was to be fought would be “Armageddon” in a much more real and substantial way than the mountain in northern Israel.

See a talk I gave about Judith here. The passcode to view the recording is 2w$Pq&6e