New Jerusalem

A Russian icon of the New Jerusalem, showing the apostles–the Twelve–surrounding the Mother of God in the midst of the city. She is the personification of Zion-Jerusalem-the Temple. Christ is immediately above the Holy Virgin, blessing the world. St. John the Divine is dictating to his disciple-secretary, who is writing down what St. John sees and the words of the angel speaking with him.

So [the angel] carried me away in the spirit … and showed me the holy city Jerusalem coming down out of heaven from God, possessing the glory of God. It had the radiance of a precious jewel…. (Apoc. 21:10-11)

The new heaven and the new earth are complete when the new Jerusalem descends from God. The city is described as being in a constant state of descending; it is always “coming down.” It is not static. It is always arriving. This movement indicates the city itself is alive. It is itself the Temple of the new heaven and new earth and therefore encapsulates the new creation which is intensely alive, just as the Temple built by Solomon was thought to encapsulate the world–the old world which, although it was currently alive, was always in the process of dying. The new Jerusalem is always coming down, always new, always becoming.

The new city has twelve foundation stones. Each is a precious jewel. These twelve stones are associated with the apostles, the Twelve; in Ephesians we read about the Church “built on the foundation of the apostles and prophets, Christ Jesus being himself the chief cornerstone.” (Eph. 2:20) If Peter is the rock (Matt. 16:17-19), the Twelve are the foundation.

The new city has twelve gates. Each gate is fashioned from pearl. Pearls in the ancient world were thought to be the result of lightning striking an oyster; the translucent pearl was born of fire and water, uniting these two opposite elements.

In Genesis 2, we are told that gold and jewels were found near the river Pishon. Often translated as “aromatic resin” or “pearls,” as well as “carbuncle” (a generic term meaning “a small, precious stone”), this is generally understood to refer to frankincense. (Frankincense was a particular resin/incense whose import and sale was a monopoly of the Franks in early medieval Europe, hence “the Frank’s incense.”) The resin was obtained by scoring—making slices in—the bark of certain trees. Sap would ooze from these wounds in the bark and congeal into the resin which would be scraped away and then these chunks of resin would be broken up to be used as incense. When the resin is sprinkled on hot charcoal, it melts and releases the fragrant smoke. The resins from various sorts of trees would produce a variety of fragrances which could be combined in different mixtures; myrrh, an especially bitter scent, was obtained in the same manner as frankincense but from another species of tree.

The particles of frankincense are customarily referred to as “pearls,” so that identifying Havilah–the land watered by the river Pishon–as the source of both frankincense and pearls is not necessarily a contradiction. There is also the later medieval Christian association of the round, white host at the Mass as a “pearl” as well as the eastern Christian practice of referring to the communion-particle as a “coal” (similar to the coal used by the seraphim to touch Isaiah’s lips to purify the prophet).

The jewels, pearls, and incense associated with the new city underscore its role as the temple of the new creation, the house of God in which the sacrificial worship of the Lamb is consummated.

There is a “New Jerusalem” monastery in Russia, built directly north of Jerusalem and an exact imitation of the church of the Holy Sepulchre for pilgrims who could not travel to the Middle East. It was closed by the communists and heavily damaged by the Nazis. I saw it in the early 1990s when it was still in ruins before the current restoration began.

Turquiose, birthstone of December

Turquoise_

In ancient Persia it was once believed that the wearing of turquoise talismans would protect the wearer from death. It was also believed – not only among Persians but also among a number of other cultures – that a change in the color of the turquoise was a sign of danger or illness. Turquoise was carried by physicians of the fifteenth century. They claimed that the stone would counter the harmful effects of poison. They prepared a potion containing finely powdered turquoise, which, as well as proving to be a powerful antidote to scorpion stings, was also considered effective in banishing the pains arising from possession by demons.

Turks often attached Turquoise to the bridles of their horses believing that it rendered the horse more sure-footed. As the horse was often regarded as a symbol of the sun in its rapid course through the heavens, the sky-blue color of Turquoise may have caused it to be associated in some way with the horse.

The name turquoise is apparently related to the fact that is was brought to Europe from the Eastern Mediterranean by Levantine traders, more commonly known as Turks.  Its been used as a valuable ornament for ages and was used by the Egyptians thousands of years ago. The color is, of course, turquoise, but its range of color varies from green and greenish blue to sky blue shades.

For centuries, the most valuable turquoise came from Iran (Persia) but today some specimens mined in the southwestern United States compete with it.  The name “Persian Turquoise” is now generally used to refer to any turquoise stone that does not have the black or brown veining commonly found in turquoise mined in the United States.

Topaz

Topaz

Topaz was one of the original gems on the breastplate of the Jewish high priest, inscribed to with the name of one of the twelve tribes of Israel. While many of the birthstones have been changed over the millennia, topaz is one gem that is almost universally accepted as November’s birthstone; it is the gem of the zodiac sign Sagittarius. It is also called Sunday’s gemstone-and it associated with the sun.

Indeed, St. John in Revelation writes that topaz was “touched by the splendor of the sun.” He lists topaz as the ninth foundation stone–each of the stones represents a Christian virtue. To St. John, topaz is the clearest of all gemstones and signifies contemplation which expands the heart and aligns men with the nine orders of angels.

The name, “topaz,” comes from the island, Topazio, which is in the Red Sea. It was commonly used as an amulet as protection from the “evil eye.” The theme of a cure of eyes runs though some of the early Christian writing from the tenth century. St. Hildegard of Bingen claimed the gem was so brilliant that it illuminated prayers in a dark chapel, and claimed the gem was a cure of dim vision. She recommended placing a piece of topaz in white wine for three days and nights, then rubbing the eye with the stone before sleep with the wet stone and using the wine as an eye wash.

Other “healing” applications vary over the centuries. Powdered topaz placed in wine cured asthma, burns, insomnia and hemorrhage. It was said to cure sadness and make you more intelligent and was particularly powerful if used in moonlight. Pope Clement VI and Pope Gregory II claimed that topaz could even cure the sores from the plague.