Tarot for the New Year (2017)

A tarot spread for the coming year, using the Tarot of Marseille (pub. Lo Scarabeo, 1996).

Many forms of divination were practiced by ancient and medieval societies. Most forms of divination were considered “science” originally but are labelled “magic” in current practice. We laugh at some nowadays while others are still enthusiastically embraced. Some have been long forgotten while others are being rediscovered. The most common forms of divination used today are reading stars and reading cards–astrology and tarot. Until only two or three hundred years ago, everyone agreed that the various aspects of the world were so interconnected that they could not help but influence each other. What early and medieval Christians condemned was using divination as a tool to know what MUST happen, denying the possibility of free will and human agency. (The one method of divination that was ALWAYS forbidden in absolute terms was to open the Bible and point to a random verse in order to discover the will of God!) But the Church used these tools of star-reading and card-reading, as did secular society, to anticipate likely outcomes of probable actions.

What does this 3-card spread reveal about the upcoming year (2017)? A quick and simple reading would be that the 5 of Swords indicates both material loss and loss of hope early in the year, followed by new determination to study and engage in personal growth (the Page of Pentacles/Coins), resulting in a renewed sense of personal integrity and strength to confront our difficulties (Strength). Another reader might see these cards indicating not a linear series of developments but a threefold series of interconnected attitudes that continue to revolve throughout the year.

A 5-card spread for the upcoming year using the Tarot of Marseille deck.

A 5-card spread reveals a slightly more complex reading for 2017. The year begins with the Knight of Wands (reversed), followed in the spring by the 8 of Pentacles/Coins, a summer dominated by the 5 of Pentacles, and concluded by The Chariot in the autumn; the 9 of Cups (reversed) is present throughout the year. The quick-and-easy explication of this spread would warn us against an immature person who is headstrong, bossy or a bully-and a risk-taker, who can do dangerous things and convince others to do dangerous things and who dominates the beginning months of the year. In reaction to this person, everyone else must work harder at self-improvement and personal growth (spring) which forces us to confront our own pride or humility in the summer and take appropriate action based on these realizations. In the autumn, this implies a struggle and an eventual, hard-won victory over enemies, obstacles, nature, the uncertainties inside each of us. But this will require confidence as well as unity of purpose and control (between each of the struggling aspects of our personalities as well as in society as a whole) and, most especially, motivation.

The 9 of Cups (reversed) in the center? The card associated with the fulfillment of all our wishes but in a quiet, muted fashion. This can serve as a motivation for all the struggles we engage in throughout the year as well as indicate the result of those struggles.

When I first dealt these two spreads, I was VERY surprised at how much they reinforce and support each other. Do any other tarot readers out there have additional interpretations to suggest?

Subway Magic

Subway tunnels are prime locations for magical activities requiring darkness -- and grit.

Subway tunnels are prime locations for magical activities requiring darkness — and grit.

NYC subways in the 1970s and early 1980s were a very different experience from what they are today.

NYC subways in the 1970s and early 1980s were a very different experience from what they are today.

Subways are a fact of life in New York. More than a fact of life, in fact. They are one of the defining characteristics of life in New York. They get us to work and they get us back home. They get us to the movies and to restaurants. They get us from the Bronx to the Battery and to Coney Island or Flushing. No one can say they’ve truly visited New York or had an authentic New York experience without riding the subway.

Subways feature in books about New York, of course. One great book about vampires on the NYC subways during the gritty days of the late 1970s or early 1980s is Light at the End. Another more recent vampire novel set on the subways is The Lesser Dead. (A wonderful guide to vampire literature of all sorts is The Monster with a Thousand Faces: Guises of the Vampire in Myth and Literature which I highly recommend as well.)

Subways tunnels are dark and dirty, prime sites ready for wicked magic and evil magic-doers: The Night Tourist opens doors to the world of the dead. Subways also take us to the East Village and other neighborhoods where occult supply shops like Enchantments can be found if you need a new Tarot deck, appropriate herbs and spices, or any other magical supplies.

Wouldn’t it be even more magical if everyone remembered a little etiquette while riding the subway?

Just as everyone-including men-should sit on the subway with their knees together, it is also true that everyone-including women-should keep both feet on the floor rather than crossing their knees and sticking one foot out into the aisle halfway across the space allotted for people to stand! ARGH!

Photos from the Brooklyn Book Festival

"Alexei" and I as the Brooklyn Book Fair is about to open (September 2016)

“Alexei” and I as the Brooklyn Book Fair is about to open (September 2016)

It was humid–but the rain held off! The Brooklyn Book Festival 2016 is now one for the history books! “Alexei” met me at Booth #242 and then proceeded to wander the festival grounds, bringing new readers to share his adventures in Estonia, Latvia, Lithuania, Poland, and Bohemia.

Missed the festival? You can still get your copy of Storm Wolf — AND read some great new readers’ reviews here!

"Alexei" and I taking a break during the Brooklyn Book Festival (September 2016)

“Alexei” and I taking a break during the Brooklyn Book Festival (September 2016)