Elizabeth, the Feminist Vampire for Women’s History Month

 

Looking out from Castle Annaghs in Waterford, Ireland. This is the area in which the dearg-due is reportedly buried.

Looking out from Castle Annaghs in Waterford, Ireland. This is the area in which the dearg-due is reportedly buried.

Elizabeth, the dearg-due in the Come Hell or High Water trilogy, has a starring role as the central Bad Guy in CHoHW, Part 2: Rising. She stalks the streets of Prague, killing–only!–men and helping reawaken the 1350’s curse that will threaten to destroy the city.

The dearg-due (Gaelic for “red blood sucker”) is an authentic character from the folklore of Waterford in the southeast of Ireland. Although the original story does not identify the dearg-due by name (I gave her the name “Elizabeth” and any Gaelic speakers will know something is amiss about the character from the moment we meet her in Part One: Wellspring because her surname is the Gaelic for “hag” or “witch”). In the original Irish folktale, a young woman in the countryside outside Waterford was in love with a local shepherd-boy and they wanted to marry. The girl’s father, however, struck a bargain with the local landlord and insisted his daughter into the arranged marriage with the landlord who was much older, as well as more wealthy. The landlord was an abusive husband (as we would now call him) and beat his young wife on several occasions, finally beating her death on one occasion.

Following her burial on the landlord’s estate — and the story is very specific that she was buried under or near the great oak tree that had stood on the estate near the river since the 1100s and was the site of the wedding of Strongbow [the first English knight to occupy Irish territory] and the daughter of the local Irish king — the girl rose from the grave to kill both her husband and her father (who had no doubt received great benefits from the marriage of his daughter to the landlord) and she continues to seduce and kill men — only men! — in revenge for the way she was treated in life. She kills the men during sex and laps up their blood or eats their organs, to sustain her own existence as one of the Undead.

The tale also stresses that the dearg-due is not effected by sunlight or garlic and cannot be destroyed but only forced back into her grave and pinned beneath the earth by the construction of a small cairn (“tower” or “pile”) of stones on her grave. The cairn will pin her under the earth until someone removes it, allowing the dearg-due to escape her grave and begin her rampages again.

There could well have been a young girl forced into an arranged marriage by her father and beaten to death by a rich, abusive husband near Waterford and that this gave rise to the legend. However, the story is also easily read as a shorthand version of Irish history: the young girl (poor, Irish, a Roman Catholic) is forced into an abusive relationship with the landlord (wealthy, English, a Protestant) in the very place where the English occupation of Ireland began centuries ago. She can be temporarily subdued but never destroyed and continues to rise again and again to attack her tormentor.

The dearg-due is a killer aligned with George and Fen’ka in the CHoHW trilogy but she could easily become a heroine in her own book or series, still coming to the aid of women in abusive relationships and slaying their abusers. What better way to honor both Women’s History Month and St. Patrick’s Day than by remembering the Irish female vampire, the dearg-due of Waterford?

Fortune Teller in Prague Killed by Nazis

© Kriti Bajaj | Prague Golden Lane, House 14, Madame de Thebes

© Kriti Bajaj | Prague Golden Lane, House 14, Madame de Thebes

Madame de Thebes

Madame de Thebes

Along the Golden Lane in the Prague castle complex is house number 14, the residence of the famous psychic Madame de Thebes (Matylda Průšová), who lost her son in the First World War. She was extremely sought after for her predictions, which later resulted in her being arrested and tortured to death by the Gestapo for predicting the downfall of the Third Reich. The cozy house has objects like tarot cards, a skull, and a bookshelf of books on horoscopes and astrology.

Following the 2011 reconstruction of Golden Lane, president Václav Klaus had his palm read in the home of Madame de Thebes, which was reconstructed with the help of the  recollections of one Prague woman who had her fortune told there many years  ago.

Madame de Thebes’ ghost plays a significant role in Come Hell or High Water, Part 1: Wellspring as she tries to warn Magdalena–using tarot cards–against trusting the ghost of Fen’ka.

Violet, the flower of February

Violets were used in magic to heal, protect, and pacify both mortals and spirits.

Violets were used in magic to heal, protect, and pacify both mortals and spirits.

Violets, the flower of February, were considered sacred to the god Ares and to Io, and possibly Apollo because it appeared in an ancient Near Eastern myth that probably inspired the Greek and Roman myth of Venus and Adonis. According to this story, the great mother goddess Cybele loved Attis, who was killed while hunting a wild boar. Where his blood fell on the ground, violets grew.

Other Greek myths tell us that violets first sprang where Orpheus laid his enchanted lute  and that the goddess Persephone and her companion Nymphs were gathering rose, crocus, violet, iris, lily and larkspur blooms in a springtime meadow when she was abducted by the god Hades. Another tale recounts how Venus had been arguing with her son Cupid, as to which was more beautiful… herself or a nearby group of girls, and Cupid, with no fear of his mother, declared for the girls. This sent Venus into such a rage that she beat her rivals till they turned blue and became violets.

Also, the Greek word for violet is “io.” Io is a character in Greek mythology and the daughter of King Argos, whom Zeus loved. However, Zeus was concerned that Hera would discover their affair, so he turned Io into a cow and then created the sweet-scented flowers that we now know as violets for her to eat.

Later, in Christian symbolism, the violet stood for the virtue of humility, or humble modesty, and several legends tell of violets springing up on the graves of virgins and saints. European folktales associate violets with death and mourning. The flowers were also used in magical healing and protection.