Category Archives: Magic and Occult

“In the Forest, Deep and Dark….”

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It’s increasingly rare to find a forest that hasn’t been shaped by human use. Ohikulkija/CC BY-SA 3.0

When I was small, there was a tremendous forest across the field from my great-grandmother’s house on San Juan Island. I called it the Black Forest, after the famous fairy-tale forest in Germany. It was everything I ever imagined a fairy tale forest would be and never went more than a few feet into the trees. I was terrified of becoming lost and wandering in the woods. I was certain that either Baba Yaga or the gingerbread-house witch would find us if we ever wandered too far under the great trees.

Forests are big, dark, and mysterious. They appear in many–if not most–fairy tales. Forests hide Big Bad Wolves. Witches hide their gingerbread houses in forests. Castles that belong to mysterious strangers are surrounded by forests. Sometimes the forest is itself enchanted. Forests are always dangerous and places of adventure that mark the edges of this world and the worlds of spirit and imagination.

Facts, folklore, superstitions, myths, and anecdotes about trees and forests have always fascinated us. A wonderful book came out recently, Forests in Folklore and Mythology, that makes these tales available all in one place and examines the threads or traits they have in common. Customs, temples and sacred groves; mythical forest creatures such as witches, fairies, demons, wood spirits, and wood nymphs are all in its pages.

Certain kinds of trees are associated with wisdom, life, or death. Celtic mythology tells us that birch trees are important in both the winter and summer to purify the world. Birches were celebrated during the festival of Samhain (what is now Hallowe’en)–bundles of birch twigs were used to drive out the spirits of the old year. Later this would evolve into the ‘beating the bounds’ ceremonies in local parishes, a festival in the springtime. Gardeners still use the birch brooms to ‘purify’ their gardens.

According to Atlas Obscura, the last of the great fairy tale forests can be found in Finland, or on the Carpathian or Balkan mountain ranges that slice across Romania and Bulgaria.

Firebird

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Ivan Bilibin’s illustration to a Russian fairy tale about the Firebird, 1899.

Russian composer Igor Stravinsky (1882-1971) was born on June 17 near St. Petersburg. Among his best known works, the ballets The Firebird (1910), Petrushka (1911) and The Rite of Spring (1913), and the choral work Symphony of Psalms (1930).

The Firebird character is one of the most poplar in Russian fairy tales. The Firebird is essentially a phoenix, a golden immortal bird that is reborn from its own incinerated ashes. Its flames and beauty save a variety of heroes and heroines–often princes and princesses–from evil wizards and devils, as in the famous Stravinsky ballet. Some tales say that the Firebird never eats but only sips dew. It saw Adam and Eve expelled from Paradise and is often a messenger between humans and the Otherworld.

One story about the Firebird tells us that a modest and gentle orphan girl named Maryushka lives in a small village. People would come from all over to buy her embroidery, and many merchants asked her to come away and work for them. She told them all that she would sell to any who found her work beautiful, but she would never leave the village of her birth. One day the evil sorcerer Kaschei the Immortal heard of Maryushka’s beautiful needlework and transformed himself into a beautiful young man and visited her. Upon seeing her ability he became enraged that a mere mortal could produce finer work than he himself possessed. He tried to tempt her by offering to make her Queen if she would embroider for him alone, but she refused saying she never wanted to leave her village. Because of this last insult to his ego he turned Maryushka into a Firebird, and himself into a great black Falcon, picked her up in his talons, and stole her away from her village. To leave a memory of herself with her village forever she shed her feathers onto the land below. As the last feather fell Maryushka died in the falcon’s talons. The glowing rainbow feathers were magic and remain undimmed, but show their colors only to those who love beauty and seek to make beauty for others

The Firebird concept has parallels in Iranian legends of magical birds, in the Brothers Grimm fairy tale about The Golden Bird. In an Armenian tale, the Firebird does not burn but rather makes the land bloom through its song. In Czech folklore, it is called Pták Ohnivák (Fire-like Bird) and appears, for example, in a Karel Jaromír Erben fairy tale, also as an object of a difficult quest. Moreover, in the beginning of this fairy tale, the bird steals magical golden apples belonging to a king and is therefore pursued by the king’s servants in order to protect the precious apples.

Werewolves, Weasels, Ravens—O, My!

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Tomatoes were an important ingredient in some potions that would turn someone into a werewolf.

Everyone knows about the connections between werewolf bites, wolfbane, silver bullets, and the full moon. “Thank you, Hollywood!” But the real connections between werewolves, tomatoes, and other legends is actually more interesting although less well known.

The most famous werewolf story in Norse mythology–but almost unknown anywhere else–is the story of father and son, Sigmund and Sinfjotli. Wandering in the woods, Norse heroes Sigmund and Sinfjotli come upon a hut where they find two spellbound wolf pelts. Sigmund and Sinfjotli put on the pelts and then discovered that the pelts could only be removed every 10th day and therefore wander in forest as wolves.

Sinfjotli & Sigmund agree to fight together if attacked by more than 7 men but Sinfjotli the son kills 11 men at one time. Sigmund fatally injures his son. But a raven, the messenger of Odin, brings a healing leaf to place on Sinfjotli’s wound. (Some versions of the story say that a pair of weasels bring the healing leaf.)

Sinfjotli is healed, he and his father take off the wolf pelts as the 10th day comes and burn the pelts to free themselves.

It is not a surprise to meet a raven, associated with Odin and death, around werewolves. Weasels, generally thought sneaks and thieves, are also considered extremely talented physicians in traditional tales. Using a magic wolf pelt to become a werewolf is also common in folklore. But the stipulation that the pelt can only be removed 10 days after it is put on is unusual. Perhaps the ten days, which is approximately 1/3 of a lunar month, is a Norse version of the connection between werewolves and the moon.