Category Archives: Old Testament

Archangel Uriel

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  • Mosaic of St. Uriel by James Powell and Sons, at St John’s Church, Warminster.
  • Saint Uriel (meaning ‘God is my light’ or ‘light of God’), one of four stained glass windows in the cloisters of Chester Cathedral depicting the Archangels mentioned in the Christian Bible. Uriel is often depicted holding flame or the sun.

Archangel Uriel appears in the Second Book of Esdras found in the Biblical apocrypha  in which the prophet Ezra asks God a series of questions and Uriel is sent by God to instruct him. This is one of my favorite episodes involving angels: Ezra asks Uriel to explain the visions to him and Uriel replies: “I will answer your question if you can answer mine: How much does fire weigh? How much wind can fit in a bag? Where does the day go when it is over?” Ezra cannot answer these and Uriel tells him, “If you cannot answer these questions about things you have direct experience of, how can you expect to understand the secrets of God, which you have no direct experience of?”

In Christian folktales, Uriel plays a role in the rescue of Jesus‘ cousin John the Baptist from the Massacre of the Innocents ordered by King Herod. St. Uriel carries St. John the Baptist and his mother Saint Elizabeth to join the Holy Family after their Flight into Egypt. This family reunion is depicted in Leonardo da Vinci‘s Virgin of the Rocks.

In other Christian folktales, St. Uriel stands at the Gate of Eden with a fiery sword and in the Life of Adam and Eve, Uriel is said to be one of the cherubim described in the third chapter of Genesis guarding the Tree of Life. He is also identified as one of the angels who helped bury Adam and Abel on the edge of Eden.

In British Christianity, St. Uriel is sometimes considered the Patron Saint of the Sacrament of Confirmation. The motto of Oxford University (“Dominus illuminatio mea“) is thought by some to be a variation of St. Uriel’s name in Latin.

SS. Raphael, Gabriel, and the Trumpet

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Statues of the four archangels at the Church of the Transfiguration (“Little Church Around the Corner”) in New York City: Uriel holds the book, Gabriel the lily, Michael the sword, and Raphael the fish. Read the history of the Little Church here.

The Archangel Raphael is said to be the angel always ready to blow the trumpet to announce the General Resurrection and the End of Time, according to Islam. Christians, on the other hand, expect the Archangel Gabriel to be the one who will blow the trumpet on the Last Day to announce the General Resurrection and Judgement.

For the Lord himself will come down from heaven, with a loud command, with the voice of the archangel and with the trumpet call of God, and the dead in Christ will rise first.

(1 Thess. 4:16)

A statue of Gabriel, often depicted with the lily which is associated with the Mother of God (because he brought the Good News of the Annunciation to the Blessed Virgin), is frequently found atop the roof at the east end of churches already blowing the trumpet. It is always Gabriel’s job to announce; he is the “announcer” of God.

We are told in the Old Testament to blow a trumpet to celebrate the New Year (Leviticus 23:24) or to announce a fast (Joel 2:15). Trumpets announce the coming of God as king and call the people to get ready to greet him. In the New Testament, trumpets announce the arrival of God’s judgement and call the people to turn their lives around (“repent”) in order to face the coming judgement. That is why Gabriel blows the trumpet atop a church: to announce the End that comes during the celebration of the Eucharist on the altar below the statue’s feet.

The most famous trumpets in the Bible are the seven trumpets blown in the Book of Revelation (Rev. 8-11). Angels blow the first six trumpets to call sinners on Earth to repentance. Each trumpet blast brings a plague, each one more disastrous than the one before it. The trumpet is used to build anticipation and tells the reader that an alert, announcement, or warning is about to take place. The seventh trumpet does not bring a plague with it. Instead, an angel blows the seventh trumpet to announce the glory of God and the coming of his kingdom.

How did Raphael get associated with the trumpet in Islam? Islamic folklore says that Raphael was the first of the archangels to be created and that he visited Mohammed even before the archangel Gabriel came to reveal the Qur’an. The Islamic folktales also say that Raphael is a master of music, who sings praises to God in a thousand different languages. It is probably this association with music that results in Raphael being given the honor of blowing the trumpet.

We never read explicitly in the New Testament that Gabriel is the archangel that will blow the trumpet on Judgement Day. I think we have come to expect him to do this precisely because he is God’s “announcer,” who announced the meaning of Daniel’s visions to the prophet (Daniel 8-9) and the birth of John the Baptist to his father Zachary as well as the birth of Christ to the Mother of God. So we expect him to announce the End of Time and the General Resurrection as well.

But the association of Gabriel with the trumpet can only be dated with certainty to the 1300s: the earliest known identification of Gabriel as the trumpeter comes in John Wycliffe’s 1382 tract, De Ecclesiæ Dominio. In the year 1455, there is an illustration in an Armenian manuscript showing Gabriel sounding his trumpet as the dead climb out of their graves. Two centuries later, Gabriel is identified as the trumpeter, in John Milton‘s Paradise Lost (1667).

St. Raphael & the Fish-incense

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Archangels Gabriel, Michael, and Raphael, identified by their names (above) and images of what they are each known best for: greeting the Mother of God (Gabriel), defeating Satan (Michael), and the fish that saved Tobias and his father (Raphael).

In the Old Testament, Tobit falls asleep in a garden and goes blind because the birds drop excrement on his eyes. Meanwhile, in faraway Media, a young woman named Sarah has prayed for death in despair. The demon Asmodeus (“the worst of demons”), abducts and kills every man Sarah marries on their wedding night before the marriage can be consummated. God sends the angel Raphael, disguised as a human, to heal Tobit and free Sarah from the demon.

Tobit sends his son Tobias to collect money that the elder has deposited in distant Media. Raphael presents himself as Tobit’s kinsman, Azariah, and offers to aid and protect Tobias. Under Raphael’s guidance, Tobias journeys to Media with his dog.

Along the way, while washing his feet in the river, a fish tries to swallow Tobias’ foot. By the angel’s order, he captures it and removes its heart, liver and gall bladder.

Upon arriving in Media, Raphael tells Tobias of the beautiful Sarah. The angel instructs the young man to burn the fish’s liver and heart to drive away the demon when he attacks on the wedding night. Tobias and Sarah marry, and the fumes of the burning organs drive the demon to Egypt, where Raphael follows and binds him. Since the wedding feast prevents him from leaving, Tobias sends Raphael to recover his father’s money.

After the feast, Tobias and Sarah return to Nineveh. There, Raphael tells the youth to use the fish’s gall to cure his father’s blindness. Raphael then reveals his identity and returns to heaven, and Tobit sings a hymn of praise.

We are accustomed to very short parables in the Gospels. Most are only a few sentences long; the longest–the Good Samaritan, the Prodigal Son–are a few paragraphs. The Book of Tobit is an extended parable that makes the point that God cares for his people and protects them in many ways. The fish is a good example.

Centuries before it was common to use a cross or crucifix, Christians often used a fish as a symbol of Christ and to indicate a Christian gathering place; the word “fish” in Greek is ichthys which is made of the initial letters of the words “Jesus Christ, Son of God, Savior.” The ichthys symbol is also a reference to the Holy Eucharist, which was associated with the miracle of the multiplication of the loaves and fishes. Christians interpreted the fish in this story of Tobit and Tobias as an allusion to Christ who saves the world from Death by his own death and resurrection.

Tobias takes the organs of the fish that are most full of blood and burns them as incense to drive away the demon. This illustrates the use of incense as an important tool in exorcisms because demons cannot stand the fragrance of incense. Blood is an allusion to both life and death; the bloody organs–liver and heart–are those associated with emotional and spiritual life, as well as physical life and death in the Ancient World. The power of Life–the power of God–made manifest in Christ’s death and resurrection drives the demon Asmodeus away.

The fish’s gall that heals Tobit’s eyes is also interpreted as an allusion to Christ, the light of the world, who heals the blind man in the Gospel of John (chapter 9). The blood of the fish (i.e. the blood of Christ) brings health (a variation of the Greek word “salvation”) to Tobit, Tobias, and Sarah–and to the world.