Marketa Lazarova

A still shot from "Marketa Lazarova," the 1967 classic Czech fim, directed by Frantisek Vlacil.

A still shot from “Marketa Lazarova,” the 1967 classic Czech fim, directed by Frantisek Vlacil.

Are you looking for something to watch during these last couple of weeks before Labor Day? Marketa Lazarova is a classic of Czech filmmaking.

“Frantisek Vlacil’s atmospheric, symbol-charged medieval epic is a wide-screen black-and-white feast for the eyes.”
—J. Hoberman, The Village Voice

One of the crowning achievements of Czech cinema is this epic celluloid hallucination of savagery and mysticism in the Middle Ages. Centered around a violent feud between two 13th-century pagan clans, Marketa Lazarova is a riddle that’s not to be cracked (at least not on first viewing). Featuring a hypnotic dreamscape—hooded figures wandering through stark, barren landscapes and black wolves prowling virgin snow—and set to a thunderous, primordial soundtrack of clanging bells and liturgical chanting, the film’s lustrous, monochrome ’Scope cinematography gleams anew in this freshly struck 35mm print.

You can get it on Netflix, I think, and on Amazon. I saw it at a special BAM screening last spring and it was amazing. It reminded me of The Seventh Seal but it was also a very different movie. I highly recommend it!

A Janus Films release.

Eostre and Easter… O, My!

Willow switches are available in the Easter Market in the Old Town Square of Prague. Boys and young men use the switches to swat young ladies in a modern, stylized version of an ancient springtime fertility rite.

Willow switches are available in the Easter Market in the Old Town Square of Prague. Boys and young men use the switches to swat young ladies in a modern, stylized version of an ancient springtime fertility rite.

In most languages, the Christian festival of Christ’s Resurrection is known as “Pascha” or some other version of the name for “Pesach” (Passover), the Jewish feast Jesus celebrated at the Last Supper and during which he was crucified and risen. Only in English is the Christian festival called “Easter,” derived from the Anglo-Saxon goddess Eostre whose springtime feast was supplanted by that of Christ. (Estrogen and estrus and other related words are also derived from the name of the goddess as well.)

Eostre was the goddess of bounty and new life, the regeneration of nature post-winter and fertility. She was attended by rabbits (known for their prolific reproductive abilities) and decorated eggs were exchanged in her honor. (In some places, these decorated eggs were then buried in the earth as gifts to Eostre so that she could know the hopes and dreams of her children, which were depicted in the paintings on the eggs, and then fulfil them.)

A variety of practices were indulged in that were said to promote the fertility of humans and of crops, including switching young women with braided willow branches. Bonfires were a common fertility rite in the non-Christian world and St. Patrick had a major confrontation with the pagan High King of Ireland because he lit the Christian fire for Easter before the king lit the fertility bonfire nearby.

Stories of descent into the netherworld (i.e. winter) and ascent from the netherworld (i.e. spring) were told in connection with Eostre’s celebration, such as that of Persephone and Hades. The well-known “spring cleaning” of homes was part of preparing to welcome Eostre’s arrival back in the world.

Interview on Radio Prague!

My grandchildren and I stand atop the Prague Meridian that slices through the Old Town Square.

My grandchildren and I stand atop the Prague Meridian that slices through the Old Town Square.

The 14th cent. Golden Gate of St. Vitus' Cathedral in Prague was the main entrance of the cathedral until the new façade was built in the 20th cent. (photo by Rebekah Bromwell)

The 14th cent. Golden Gate of St. Vitus’ Cathedral in Prague was the main entrance of the cathedral until the new façade was built in the 20th cent. (photo by Rebekah Bromwell)

My recent visit to Prague was a great success! Not only was the annual Evil and Human Wickedness Conference a success, I had 2 signings-readings, an interview on Radio Prague, and my daughter and grandchildren came down from Germany to spend a few days with me in the Czech capital. I got to meet new friends and readers as well as see old friends again.

The radio interview by Jan Velinger is available in both print and podcast versions here. It was a delight to meet Jan and I hope to share a beer with him the next time I am in Prague. I had one reading-signing at the Angelo Hotel in Prague (a reporter from the Prague Post attended!) and another in a 15th century crypt that is now a vodka-themed bar.

The weather was beautiful in Prague (except for the days when the conference was in session, but that worked out fine) so I was able to stroll through the Prague castle and Old Town with my grandchildren as well as discover the many wonderful playgrounds that fill central Prague but that had previously escaped my notice! My eldest granddaughter, however, was quite irate that we were not allowed into the attic of the Old-New Synagogue to see the remains of the golem there! She wanted a refund of our admission ticket!

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