Tag Archives: angels

Angels and Deacons

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On the left, we see angels-deacons in the Apocalypse blowing trumpets and emptying thuribles of coals and incense before the heavenly altar as St. john watches (illumination from the Bamberg Apocalypse). On the right, we see smoking thuribles in the hands of deacons during the celebration of the Eucharist on earth.

Then I saw a strong angel proclaiming with a loud voice, “Who is worthy to open the scroll and to loose its seals?” (Apocalypse 5:2)

We encounter many figures in the Apocalypse who are mysterious at best and confusing at worst or commonly misunderstood. Angels might seem to be one of the more easily understood figures of the Apocalypse but we should not jump to such conclusions so quickly.

When reading early Christian texts like the Apocalypse, it is a rule of thumb that the animals and monsters we meet are there to stand in for people that the original readers might recognize–for instance, Roman emperors like Nero. Human figures are to be understood as angelic beings–like the “young men in white” who announce that Christ is risen to the women who meet them at Christ’s tomb. But figures who are introduced as angels–who are they?

The angels in the Apocalypse are understood to be the deacons who serve at the eternal celebration of the Eucharist before the Throne of God, just as earthly deacons at the celebrations of the Eucharist were commonly understood to be angels, the “messengers” who announce the Gospel and the prayer intentions of the community and who make other liturgical announcements (such as “Let us bend our knees” or “Arise! Stand upright!” or “Bow your heads unto the Lord”) and who swing the censers-thuribles of smoking frankincense. The angels in the Apocalypse make similar announcements, such as calling forth the one worthy to open the scroll, and offering the incense that fills the air around the heavenly altar and the Throne of God. The angels-deacons of the Apocalypse tell the visionary author what to write and when to stand up or step forward.

The angel-deacons in the Apocalypse are also wearing vestments similar to those that earthly deacons wear during the celebration of the Eucharist: splendid tunics and sashes/stoles. (The stoles that earthly deacons wear are sometimes compared by early Christian liturgical commentaries with the wings of the angels, especially when the stoles are tied to one side to make the distribution of Holy Communion easier.)

Burning incense is one of the most important things angels-deacons do. The smell of incense is more than aroma therapy; it is profoundly theological.  The sense of smell is an affirmation that we have bodies.  Christ in his Incarnation came to save our entire being – body, soul, mind, and spirit, not just our intellects.  The classical approach to Christian worship provides an embodied approach to worship.

Angelic figures in the Apocalypse are also sometimes compared to the eunuchs who function as imperial officials that keep the imperial system running. When the Apocalypse was written, eunuchs and angels were both thought to be asexual, beardless adults who served the imperial-heavenly court in a variety of ways–messengers, announcers, stenographers, record-keepers. Typically, eunuchs could not be ordained deacons but they could become monks.

Deacons! Angels! They coordinate the actions of the Eucharist on earth and in heaven, standing before the Throne and altar. They tell us what to do and when to do it. They burn the fragrant incense that nourishes the righteous and drives the devils away. They assist with the distribution of Holy Communion that also nourishes the faithful. They are one of the ways we unite what happens on earth with what happens eternally.

“Heaven” in the Apocalypse

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A 13th century Cluniac ivory carving of Christ in Majesty surrounded by the four living creatures. The four living creatures, each having six wings, were full of eyes around and within. And they do not rest day or night, saying:
“Holy, holy, holy,
Lord God Almighty,
Who was and is and is to come!”
The four living creatures reflect a combination of the cherubim in Ezekiel 1 and seraphim in Isaiah 6:2, they function as ‘the priests of heavenly temple’. Their song is an adaption of Isaiah 6:3.

“After this I looked, and lo, in heaven an open door!” (Apocalypse 4)

The vision of the heavenly throne room opens Chapter 4 of the Apocalypse; it is an interlude between the first two series-of-sevens of the book, the seven letters to the churches and the seven seals. (The series-of-sevens are the basic building block of the Apocalypse. Each series-of-seven tells the story of the Church’s journey through history from a different perspective or from another point of view. Each series becomes more intense but the Apocalypse does not tell a linear, sequential story; rather, it is a re-examination of the same story several times.)

The seer of the Apocalypse sees an open door in heaven. Most of us think of heaven as the eternal abode of God, the place of light and glory where the saints and angels stand before the Holy Trinity. We think that only Good exists in heaven. But that does not match the description of “heaven” in the Apocalypse.

Heaven, in the Apocalypse, is not eternal. It will be destroyed: “heaven and earth shall pass away,” we famously read. Heaven will cease. The eternal residence of God, we are told, is the New Jerusalem that will come down from out of heaven (chapter 21). There will be a new heaven and a new earth. Heaven, as it is currently constituted, will be replaced after the End of Days.

The “good” are not the sole residents of heaven. Evil dwells there with God. Spiritual realities and beings populate heaven–we meet the dragon and the rebel angels and the the beast with seven heads and ten horns, not just the four living creatures and the saints.

Rather than consider “heaven” as the equivalent of the Kingdom of God, we would do better to see heaven in the Apocalypse as the equivalent to “spiritual-invisible world.” It is this invisible world that we glimpse from a variety of angles in the different series-of-sevens that make up the Apocalypse. Each series-of-seven is true but it is not literal (as we understand that word in contemporary English).

I will be giving a talk on the Apocalypse this evening, Monday March 15 at 7 p.m. (New York City time) as part of the adult education series at St. Luke’s in the Fields. Join us here. A recording of the talk will also be available afterwards; the link will be posted on the Bible Study tab of this website.

“I am wounded with love”

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Painter: Greek School 17/18th Century Medium: Tempera on panel Location: National Museum of Fine Arts, Valletta, Malta

The bride says: “I am wounded with love.” (Song of Songs 2:5) She explains that the dart has gone right through her heart and the Bowman is love. We know that God is love (1 John 4:8) and that he sends forth his only begotten Son as his chosen arrow (Isaiah 49:2) to the elect, dipping … its tip in the Spirit of life. The arrow’s tip is faith and unites to the Bowman whomsoever it strikes. (St. Gregory of Nyssa, On the Song of Songs)

The bride in the Song is wounded by the arrow shot by the divine Bowman. The arrow, whose tip is dipped in the Spirit of life rather than the venom or poison common in the ancient world, binds her to the one who shot the arrow: God, the Father. Christ is the arrow and—unlike most arrows we are familiar with—this arrow’s wound does not kill; it causes the bride to live. Forever. Bound by faith and love to the Bowman who shot the arrow into the world, she shares the divine life of the Bowman (the Father), the arrow (Christ), and the Spirit.

The Mother of God, brought to the Temple when she was three years old, is presented by her parents to be brought up serving the Lord in his house. We see in the upper left hand corner of the icon the angel that brought her bread from heaven each day; this is a pictorial way of saying that she trusted in the Lord for her sustenance and support and so was capable of conceiving the one who is the true bread come down from heaven. This bread that she received from the angel united her in love to the giver of the Living Bread just as the arrow united the bride to the Bowman. The bread brought by the angel is spiritual sustenance just as the arrow’s point was said to be anointed with the Spirit.

Annunciation is the only time we read of in the Bible when the first words out an angel’s mouth were not “Don’t be afraid! Fear not!” The daily visitation of the angel to bring bread to the Mother of God is also a way to explain why she was not shocked to see the angel Gabriel although she was shocked at the angel’s announcement.