Tag Archives: Apocalypse

Many Faces of Antichrist

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The figure of the Antichrist appears in several places in the New Testament before he appears in the Apocalypse (Book of Revelation). In the first epistle of St. John, we read Children, it is the last hour; and as you have heard that antichrist is coming, so now many antichrists have come; therefore we know that it is the last hour.” (1 John 2:18) The antichrists are those who oppose the apostle’s teaching. They are the heretics (lit. “the choosers”) who choose a different teaching and place themselves in opposition to the Church.

In the 2nd epistle to the Thessalonians, the antichrist is the “man of lawlessness” (2 Thess. 2:3-10) who opposes peace, order, and harmony–both civil and ecclesiastical. The seven-headed, ten-crowned dragon of the Apocalypse is typically identified with this “man of lawlessness,” the Antichrist. The dragon deceives and destroys, confusing and laying waste to the Church and the known world.

St. Paul makes the cryptic remark: “… the mystery of lawlessness is already at work; only he who now restrains it will do so until he is out of the way.” (2 Thess. 2:7) Who restrains the Antichrist? St. Paul seems to presume that his readers know but later readers have had to surmise. Even St. Augustine threw up his hands and exclaimed, “I admit that the meaning of this completely escapes me.” (City of God, Book 20, chapter 19)

St. John Chrysostom considered the Antichrist to be the personification of chaos and destruction. It was the power of Rome (even in her pagan days) that kept complete anarchy and destruction at bay. Chrysostom thought of himself as a “Roman” living in the “New Rome” of the ongoing Roman Empire that continued to constrain the Antichrist. Many early fathers and preachers agreed with him and would probably say that “that which restrains the Antichrist” continued to do so until 1917-1918, when Austro-Hungary and imperial Russia–the last two governments to see themselves as the continuation of the Roman Empire–finally collapsed or were overthrown.

The idea that imperial rule kept the world safe from evil is ancient. In the Old Testament, it seems that the ancient Israelites thought the kings of Israel were the “first line of defense” against the evil angels. (For more about this, see Margaret Barker‘s book, The Last Prophet.)

Proskynesis and Apocalypse

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We see Jesus standing with an 8-pointed star behind his head, emblematic of “eternity,” in this iconographic depiction of the first chapter of the Apocalypse. Christ appears in gleaming white priestly vestments, shining more brightly than the sun much as he is described as appearing at the Transfiguration on Mt. Tabor. Transfiguration, in patristic sermons, is seen as an anticipation of the End and a foretaste of the Apocalypse. Transfiguration reveals the goal and intended destination of humanity in communion with God. St. John, who saw Christ transfigured on Tabor, recognizes Christ transfigured again on Patmos.

The Apostle John makes a proskynesis (“prostration “) before Christ. Christ’s voice, which is described as sounding like a trumpet blast, is depicted by the elaborate trumpet coming from his mouth. We see the seven lamps depicted as candlesticks at Christ’s side. It became customary in the Christian West to always have seven candlesticks on the altar when the bishop celebrates the Eucharist.

The proskynesis, or “prostration,” is a gesture that appears many times throughout the Old and New Testaments. The prophet Daniel makes a proskynesis (Daniel 8:17; 10:7-9) while Joshua made a proskynesis to an angel (Joshua 5:14) and when King Solomon dedicated the Temple, the priests all make a proskynesis when the glory of God fills the newly-dedicated Temple.

Proskynesis is frequently translated “worship” in English Bibles but—according to the 7th ecumenical council—technically speaking proskynesis is precisely not worship. It is an act of honor, of reverence, of veneration. But not worship. Proskynesis is an act of veneration appropriate to make towards holy things—the altar, relics, icons—but it is not worship which is appropriate to offer only to God. Worship may include an act of proskynesis but proskynesis is not limited to acts of worship.

SS. Raphael, Gabriel, and the Trumpet

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Statues of the four archangels at the Church of the Transfiguration (“Little Church Around the Corner”) in New York City: Uriel holds the book, Gabriel the lily, Michael the sword, and Raphael the fish. Read the history of the Little Church here.

The Archangel Raphael is said to be the angel always ready to blow the trumpet to announce the General Resurrection and the End of Time, according to Islam. Christians, on the other hand, expect the Archangel Gabriel to be the one who will blow the trumpet on the Last Day to announce the General Resurrection and Judgement.

For the Lord himself will come down from heaven, with a loud command, with the voice of the archangel and with the trumpet call of God, and the dead in Christ will rise first.

(1 Thess. 4:16)

A statue of Gabriel, often depicted with the lily which is associated with the Mother of God (because he brought the Good News of the Annunciation to the Blessed Virgin), is frequently found atop the roof at the east end of churches already blowing the trumpet. It is always Gabriel’s job to announce; he is the “announcer” of God.

We are told in the Old Testament to blow a trumpet to celebrate the New Year (Leviticus 23:24) or to announce a fast (Joel 2:15). Trumpets announce the coming of God as king and call the people to get ready to greet him. In the New Testament, trumpets announce the arrival of God’s judgement and call the people to turn their lives around (“repent”) in order to face the coming judgement. That is why Gabriel blows the trumpet atop a church: to announce the End that comes during the celebration of the Eucharist on the altar below the statue’s feet.

The most famous trumpets in the Bible are the seven trumpets blown in the Book of Revelation (Rev. 8-11). Angels blow the first six trumpets to call sinners on Earth to repentance. Each trumpet blast brings a plague, each one more disastrous than the one before it. The trumpet is used to build anticipation and tells the reader that an alert, announcement, or warning is about to take place. The seventh trumpet does not bring a plague with it. Instead, an angel blows the seventh trumpet to announce the glory of God and the coming of his kingdom.

How did Raphael get associated with the trumpet in Islam? Islamic folklore says that Raphael was the first of the archangels to be created and that he visited Mohammed even before the archangel Gabriel came to reveal the Qur’an. The Islamic folktales also say that Raphael is a master of music, who sings praises to God in a thousand different languages. It is probably this association with music that results in Raphael being given the honor of blowing the trumpet.

We never read explicitly in the New Testament that Gabriel is the archangel that will blow the trumpet on Judgement Day. I think we have come to expect him to do this precisely because he is God’s “announcer,” who announced the meaning of Daniel’s visions to the prophet (Daniel 8-9) and the birth of John the Baptist to his father Zachary as well as the birth of Christ to the Mother of God. So we expect him to announce the End of Time and the General Resurrection as well.

But the association of Gabriel with the trumpet can only be dated with certainty to the 1300s: the earliest known identification of Gabriel as the trumpeter comes in John Wycliffe’s 1382 tract, De Ecclesiæ Dominio. In the year 1455, there is an illustration in an Armenian manuscript showing Gabriel sounding his trumpet as the dead climb out of their graves. Two centuries later, Gabriel is identified as the trumpeter, in John Milton‘s Paradise Lost (1667).