St. Michael and the Dragon: Victory in Heaven

The war in heaven depicted in “Las Huelgas Apocalypse,” Spain AD 1220; the commentary of Beatus of Liebana.

Then war broke out in heaven. Michael and his angels fought against the dragon. The dragon and his angels fought back and he did not prevail…. The great dragon was thrown down, that ancient serpent who is called Devil and Satan, the deceiver of the whole world…. (Apocalypse 12:7-9)

The Archangel Michael (Jude 9) is the captain of God’s armies and the champion of the Chosen People (Daniel 10:21, 12:1); in the Old Testament, he is the most powerful figure, second only to God. Although Satan does occasionally appear in heaven (Job 1), he is definitively cast down and overthrown here.

The dragon is identified both with the serpent who tempted Eve and with the adversary, the accuser who demanded that God allow him to test the sincerity of both Job and the Apostle Peter (Luke 22:31). Satan wanted to ruin them both but did not succeed. Satan, the dragon, wants to ruin the human race. He wants to ruin the entire creation. His jealousy goads him to want to destroy everything (Wisdom 1-2) but in the end, his jealousy destroys only himself.

Often the spear that St. Michael uses to fight the dragon with is a wooden lance; it is by the wood of the Cross that the dragon is overthrown. The archangel Michael’s victory is the heavenly and symbolic counterpart of Jesus hanging-dying on the Cross. The martyrs, as members of the Body of Christ, who testify-witness about the victory of the Cross, share in this victory but the victory is demonstrated by their dying as Christ died on the Cross. The events described in chapter 12 of the Apocalypse—the woman clothed with the sun, the dragon, the war in heaven—are the central events of the Apocalypse, around which everything else revolves, because they are the representation of the central events of earthly history.

“I saw Satan fall like lightning from heaven,” says Jesus (Luke 10:18); therefore the apostles are able to cast out devils who possess humans. The Lamb, “who was slain from the foundation of the world,” is both eternally the victor and the one who wins the victory at a particular time-place in the world. Both the eternal victory and the victory in time are true; neither victory cancels or outweighs the other.

The dragon is not simply THE Devil, a single angelic personality. The dragon is all the enemies of God at once; in Ezekiel 29:3 and 32:2-3, we read that the Pharaoh of the Exodus is “like a dragon in the sea,” a great water monster who attempts to devour the Chosen People. The dragon is the Roman system which attempts to eradicate the Church. The dragon is everything and everyone who attempts to deny the victory of the Cross.

Shaft of the Abyss

Another fresco from Mt. Athos that illustrates the Apocalypse. Here we see the attack of the demonic locusts described in chapter 9, the “first woe” of three to be unleashed by the angels faithful to God. These locusts, an allusion to the 8th plague that struck Egypt at the Exodus, are allowed to torment–but not kill–the people of the earth.

I saw a star fallen from heaven to earth, and he was given a key to the shaft of the abyss. He opened the shaft of the abyss, and smoke came up from the shaft like smoke from a great furnace, and the sun and the air were darkened by the smoke from the shaft. Out of the smoke came locusts… (Apoc. 9:1-3)

A fallen star is a fallen angel. Hence, the star is “he” and given a key to the abyss. Stars–in apocalyptic writing–are always angels, whether good or bad, faithful to God or not. The tradition of fallen angels is ancient though it does not appear in the oldest layer of biblical writing; the story of the angelic fall is told in 1 Enoch 6-13, an expansion of Genesis 6:1-4. Jesus also refers to the fall of the angels: “I saw Satan fall like lightning from heaven” (Luke 10:18).

The “abyss” is the usual Greek translation of “the deep” (ex. Gen. 1:2, Psalm 105:9, 107:26); it is also used to refer to Sheol (Job 41, Romans 10). In the Apocalypse, the abyss-the deep-sheol is the provisional prison of Satan and the fallen angels. In the gospel, the demons beg Jesus not to send them there (Luke 8:31). In this chapter of the Apocalypse, a shaft leads to the abyss-the deep-sheol and a fallen angel is allowed to unlock it.

Out of the abyss comes a great cloud of smoke and ash; from the smoke and ash come the monstrous locusts that attack people but are not allowed to attack the earth itself, unlike natural locusts. These supernatural locusts attack and torture but cannot kill; they can sting like scorpions and have a king (the word is more usually translated as “emperor”), unlike natural locusts (Proverbs 30:27).

Is the Apocalypse comparing the locusts to the imperial Roman system by using the Greek word for “emperor” rather than “king” to describe their organization? If so, then the Roman state–and any political system that is in opposition to God–can attack and torment the faithful but cannot destroy or overwhelm the Kingdom of God. I have recently discovered the work of Walter Wink, who writes about the demonic aspect of human political systems. As my friend Daniel says, “Phenomena like The Exorcist and The Amityville Horror do occur, but the real danger is from beings that assume power over humanity in the form of nations, corporations, political ideologies, and economic systems.”

Wormwood

Monastic fresco on Mt. Athos illustrating chapter 8 of the Apocalypse: the angels at the heavenly altar cast judgement/ hail onto the earth and sea.

The first angel blew his trumpet; there came hail… cast upon the earth…. The third angel blew his trumpet and a great star fell from the sky…. The name of the star was Wormwood. (Apocalypse 8:7, 10-11)

The angels begin to blow their seven trumpets and unleash a series of destructive judgements: hail with fire, a flaming mountain thrown into the sea, a falling star. Repeatedly, a third of everything is destroyed: a third of the earth is burnt up, a third of the trees are burnt up, a third of the sea is turned to blood, a third of the sea creatures die, a third of the sun-moon-stars are wiped out, a third of the ships are destroyed (see illustration above). This repetition of the destruction of one-third of everything suggests to many Early Church readers that one-third of the angels rebelled against God and became the demons of hell.

The destructive plagues released by the trumpet blasts mimic the plagues that God sent to destroy Egypt in the book of Exodus. In both cases, creation is undone and refashioned. Many of the prophets in the Old Testament describe similar plague-judgements that God will unleash at the End of Days: the sun and moon and stars will go dark, the sea will be consumed by fire, darkness will envelop the earth. Jeremiah describes a mountain that will be reduced to a burning, smoldering ruin and 1 Enoch describes 7 stars that are like 7 fiery mountains. These are not the acts of a vindictive God; these are the descriptions of what happens when creation rises up in rebellion and goes-against-the-stream that is cooperation (synergy) with God.

One of the most interesting images of judgement-destruction is the star called Wormwood. This name, which in Slavonic is Chernobyl, was often mentioned by evangelical Christians when the Chernobyl nuclear accident happened. It was popular to muse in the United States if the nuclear accident was the great portent of the End described in the Apocalypse; timelines for the coming judgement were eagerly discussed.

Wormwood is a plant with a bitter taste and is a metaphor for divine judgement (Jeremiah, Lamentations, Amos, Proverbs). This plague is the reverse of the miracle at Mara in the desert: there, poison water was made fresh but the star Wormwood makes fresh water poison. “Wormwood” is the perversion of justice in Amos: the blazing star that falls from the sky in the Apocalypse can be viewed as the downfall of the Devil himself, the father of lies and deception (John 8:44).