Tag Archives: Mother of God

“My Beloved is a sachet of Myrrh”

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Medieval illumination of the royal couple in the Old Testament Song of Songs, also known as the Song of Solomon

“My beloved is to me a sachet of myrrh resting between my breasts.” (Song of Solomon 1:13 ) St. Gregory of Nyssa comments on this, saying: “The Lord Himself, having become a balsam of myrrh (in His death) and taken residence in my heart itself, occupies the center of my awareness.” St. Bernard of Clairvaux also understands the bitter myrrh as an emblem not only of Christ in the Passion but as the personal repentance of each believer. “This perfume of repentance,” he preaches, “reaches to the very abodes of the blessed in heaven…. God will not scorn this crushed and broken spirit. This [myrrh] not only inspires us to amend our lives but even makes the angels dance for joy,” because the angels greatly rejoice over one sinner who repents. “Those who have renounced sinful ways are inevitably gripped by bitterness and confusion… like fresh wounds” but the bitterness of the myrrh gives way to the sweet scent of the oil of gladness described in Psalm 45:8 (which also describes the royal bride preparing to wed her groom).

In modern Judaism the Song is read on the Sabbath during the Passover, which marks the beginning of the grain harvest as well as commemorating the Exodus from Egypt. Jewish tradition reads it as an allegory of the relationship between God and Israel, while Christian tradition reads it as an allegory of Christ and his “bride”, the Church.

The Church’s interpretation of the Song as evidence of God’s love for his people, both collectively and individually, began with Origen. Over the centuries the emphases of interpretation shifted: first, reading the Song as a depiction of the love between Christ and Church; in the 11th century, it was read as describing the relationship between Christ and each Christian; in the 12th century the Bride was seen as the Virgin Mary, Each of these new readings absorbed rather than simply replaced earlier interpretations, so that the commentary became ever more complex. Reading the Song of Songs as a theological metaphor reveals the two partners–whether understood as Christ and the Church, Christ and each believer, or God and the Blessed Virgin–are eternally bound in a relationship that the idea of “marriage” can only approximate.

“I am Black and Beautiful:” the Queen of the South

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  • The Queen of Sheba, from a 15th-century manuscript now at Staats – und Universitätsbibliothek Gottingen
  • Sanctae Mariae Coronavi by Giacomo di Mino‘s Gothic version. Circa 1340–1350

The Queen of Sheba, whom Jesus refers to as “the Queen of the South” who “came from the uttermost parts of the earth”, i.e. from the extremities of the then known world, to hear the wisdom of Solomon (Matthew 12:42, Luke 11:31), has long fascinated us. She is a mysterious figure who appears briefly in 1 Kings 10 and 2 Chronicles 9 and then seems to vanish again. Who was she? What do we really know about her? Why should we care?

Sheba, also known as “Saba,” is mentioned in the Psalms. It was a wealthy kingdom that included modern Yemen and Ethiopia and was connected to a vast network of trading routes and business exchanges. When the Queen came to visit King Solomon, it might well have been a trade mission–a sort of G8 meeting!–to make new trade deals and sign new business agreements between the two monarchs. Solomon and the Queen were both known for their wisdom and keen senses; while striking their business deals, they traded riddles. Folklore has suggested many possible riddles that they might have traded, including the famous, “What land has only seen the sun once?” (Answer: the bottom of the Red Sea, which was exposed to sunlight when it parted for Moses and the Hebrews to escape from Egypt.)

Origen, who wrote a voluminous commentary on the Song of Songs, identified the bride of the Song with the “queen of the South” of the Gospels, i.e. the Queen of Sheba, and assumed she was Ethiopian as the bride in the Song says, “I am black and beautiful” (μέλαινα εἰμί καί καλή ). Not only is the bride in the Song identified as the Queen of Sheba, the bride is also understood by Christians to be an allusion to both the Church and the Mother of God. (It is the identification of the Mother of God with the dark and beautiful bride that results in the depictions of the “black Madonna.”) Because of the identification of the bride as Queen, Church, and Mother of God, the Queen of Sheba herself comes to be seen as a type of the Church and the Mother of God: the wonderful gifts of gold and incense that the Queen brings Solomon is seen as a foreshadowing of the adoration of the Magi (Matthew 2) and the Queen of Sheba enthroned represents the coronation of the virgin.

Gideon, the Dewy Fleece, & St. Mary Major

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This Byzantine image is another depiction of Gideon and the miracle of the angel meant to reassure Gideon that he was chosen to save Israel from their enemies. There are many more icons of this event here.
This contemporary Greek image depicts Gideon and the commander of the heavenly armies on the left; on the right is the Mother of God enthroned with Christ. Read more here.

I recently wrote about St. Mary Major and the miracle of the snow in Rome. I realized this morning how similar the story about St. Mary Major is to the story of Gideon and the miracle of the fleece in the Old Testament.

In the book of Judges (chapter 6), we read that Gideon was told by an angel that he would save the people of Israel from their enemies as they were settling the Promised Land after wandering in the desert for 40 years after the Exodus. But Gideon wants reassurance that God would fulfil this promise that he would lead the people to victory. He tells the angel,

“If now I have found favor in your eyes, then show me a sign that it is you who speak with me. Please do not depart from here until I come to you and bring out my present and set it before you.” And the angel said, “I will stay till you return.”

So Gideon went into his house and prepared a young goat and unleavened cakes from an ephah of flour. The meat he put in a basket, and the broth he put in a pot, and brought them to him under the terebinth and presented them. And the angel of God said to him, “Take the meat and the unleavened cakes, and put them on this rock, and pour the broth over them.” And he did so. Then the angel of the Lord reached out the tip of the staff that was in his hand and touched the meat and the unleavened cakes. And fire sprang up from the rock and consumed the meat and the unleavened cakes. And the angel of the Lord vanished from his sight. Then Gideon perceived that he was the angel of the Lord. And Gideon said, “Alas, O Lord God! For now I have seen the angel of the Lord face to face.” But the Lord said to him, “Peace be to you. Do not fear; you shall not die.”

After Gideon wins a series of battles, the enemies of Israel gather large reinforcements and Gideon calls for more Israelites to join him. While he is hoping the Israelites will respond to his call and come to join him, we are told that

… Gideon said to God, “If you will save Israel by my hand, as you have said, behold, I am laying a fleece of wool on the threshing floor. If there is dew on the fleece alone, and it is dry on all the ground, then I shall know that you will save Israel by my hand, as you have said.” And it was so. When he rose early next morning and squeezed the fleece, he wrung enough dew from the fleece to fill a bowl with water. Then Gideon said to God, “Let not your anger burn against me; let me speak just once more. Please let me test just once more with the fleece. Please let it be dry on the fleece only, and on all the ground let there be dew.” And God did so that night; and it was dry on the fleece only, and on all the ground there was dew.

Christian preachers always associated both the miracle of the sacrifice consumed by fire and the miracle of the fleece with the Incarnation of the Word of God in the womb of the Virgin Mary. St. Ambrose of Milan preached, “as soon as the Angel touched them with the end of the staff which he bore, fire burst forth out of the rock, and so the sacrifice which he was offering was consumed. By which it seems clear that that rock was a figure of the Body of Christ, for it is written: “They drank of that rock that followed them, and that rock was Christ.” (1 Cor. 10:4)

Other early Christian writers, such as St. Proclus of Constantinople describe the Blessed Virgin as the “loom” of the incarnation and linked the miracle of the fleece with Mary: “The holy Mary has called us together, that undefiled treasure of virginity… the most pure fleece with heavenly dew, from which the Shepherd clothed the sheep… She is the awe-inspiring loom of the incarnation.”

The dew on the fleece that announces God’s choice of Gideon is remarkably similar to the snowfall that announces God’s choice of the building site for the church of St. Mary Major in Rome. Both miracles announce to the world what God has previously revealed to only a few people and both miracles are associated with the Mother of God whose consent made the incarnation possible.