“Heaven” in the Apocalypse

A 13th century Cluniac ivory carving of Christ in Majesty surrounded by the four living creatures. The four living creatures, each having six wings, were full of eyes around and within. And they do not rest day or night, saying:
“Holy, holy, holy,
Lord God Almighty,
Who was and is and is to come!”
The four living creatures reflect a combination of the cherubim in Ezekiel 1 and seraphim in Isaiah 6:2, they function as ‘the priests of heavenly temple’. Their song is an adaption of Isaiah 6:3.

“After this I looked, and lo, in heaven an open door!” (Apocalypse 4)

The vision of the heavenly throne room opens Chapter 4 of the Apocalypse; it is an interlude between the first two series-of-sevens of the book, the seven letters to the churches and the seven seals. (The series-of-sevens are the basic building block of the Apocalypse. Each series-of-seven tells the story of the Church’s journey through history from a different perspective or from another point of view. Each series becomes more intense but the Apocalypse does not tell a linear, sequential story; rather, it is a re-examination of the same story several times.)

The seer of the Apocalypse sees an open door in heaven. Most of us think of heaven as the eternal abode of God, the place of light and glory where the saints and angels stand before the Holy Trinity. We think that only Good exists in heaven. But that does not match the description of “heaven” in the Apocalypse.

Heaven, in the Apocalypse, is not eternal. It will be destroyed: “heaven and earth shall pass away,” we famously read. Heaven will cease. The eternal residence of God, we are told, is the New Jerusalem that will come down from out of heaven (chapter 21). There will be a new heaven and a new earth. Heaven, as it is currently constituted, will be replaced after the End of Days.

The “good” are not the sole residents of heaven. Evil dwells there with God. Spiritual realities and beings populate heaven–we meet the dragon and the rebel angels and the the beast with seven heads and ten horns, not just the four living creatures and the saints.

Rather than consider “heaven” as the equivalent of the Kingdom of God, we would do better to see heaven in the Apocalypse as the equivalent to “spiritual-invisible world.” It is this invisible world that we glimpse from a variety of angles in the different series-of-sevens that make up the Apocalypse. Each series-of-seven is true but it is not literal (as we understand that word in contemporary English).

I will be giving a talk on the Apocalypse this evening, Monday March 15 at 7 p.m. (New York City time) as part of the adult education series at St. Luke’s in the Fields. Join us here. A recording of the talk will also be available afterwards; the link will be posted on the Bible Study tab of this website.

Sardonyx

sardonyx

Onyx is a chalcedony quartz that is mined in Brazil, India, California and Uruguay. Originally, almost all colors of chalcedony from white to dark brown and black were called onyx. Today when we think of onyx we often preface the word with black to distinguish it from other varieties of onyx that come in white, reddish brown, brown and banded. A variety of onyx that is reddish brown with white and lighter reddish bands is known as sardonyx, from the Greek sarx (flesh) because of these flesh tones in the gem.

The name also comes from the Greek word onyx which means nail of a finger or claw. Legend says that one day while Venus was sleeping Eros/Cupid cut her fingernails and left the clippings scattered on the ground. Because no part of a heavenly body can die, the gods turned them into stone which later became known as onyx.

Sardonyx is said to grant intelligence and courage, dispel nightmares and meloncholy, and break curses. Sardnyx is one of the stones in the ‘Breastplate of Judgement’ of Aaron, described in the Bible (Exodus 28:15-30). Sardonyx is also included in the listing of the gems of the King of Tyre (Ezekiel 28:13) and is one of the gems the New and Heavenly Jerusalem is said to be built of (the book of Revelation).

One of the earliest writers to associate the symbolism of the gems given in Revelation  with the apostles is Andrew, bishop of Caeserea. He gives says the sardonyx represents James, the (step) brother of Christ, a son of Joseph from his first marriage.

During the Renaissance in Europe it was believed that this stone gave speakers eloquence when talking. In Ancient Greece people used to carve them into the shape of scarab beetles, a mythological creature that was believed to eat people! The gem also has many links with royalty and it is said that Queen Elizabeth I gave the Earl of Essex a large Sardonyx gold ring as a present.