Jezebel and the Nicolaitans

Israel’s most accursed queen carefully fixes a pink rose in her red locks in John Byam Liston Shaw’s “Jezebel” from 1896. Jezebel’s reputation as the most dangerous seductress in the Bible stems from her final appearance: her husband King Ahab is dead; her son has been murdered by Jehu. As Jehu’s chariot races toward the palace to kill Jezebel, she “painted her eyes with kohl and dressed her hair, and she looked out of the window” (2 Kings 9:30). Image: Russell-Cotes Art Gallery and Museum, Bournemouth, UK/Bridgeman Art Library.

“Nevertheless, I have this against you: You tolerate that woman Jezebel, who calls herself a prophet.” (Apocalypse 2:20)

There is a woman in Thyatira who is a rival of St. John the Apostle. She teaches a group known as the Nicolaitans. She–and her followers–reject the authority of the St. John and disobey his teaching. He compares her to the Old Testament queen, Jezebel.

Jezebel appears in the Old Testament (2 Kings). She is the archenemy of the prophet Elijah. She teaches the people to commit adultery and practice sorcery. Tyconius–the first Biblical scholar to write a commentary on the Apocalypse–says that the figure of Jezebel in the Apocalypse “stands for the whole fallen order.” She is everything that stands in opposition to God. Always and everywhere, whatever opposes God is “Jezebel.” Tyconius also says that her followers, her “children,” can be seen as Goliath, who refused to admit the truth: that Israel’s God is the true God and that David was the one chosen by God to protect the people. Jezebel’s followers refuse to admit the truth: that the Apostle John is the authentic teacher chosen by God and serves as the protector of the Christian communities, as David was in the Old Testament.)

The woman in Thyatira that St. John was concerned was an “antinomian.” (That’s a fancy word that means “against the rules.” Antinomian groups always object to having to follow any rules.) She taught her followers that it didn’t matter what they ate or who they slept with or if they denied Christ when arrested by the Romans and were facing execution. (There was an antinomian faction among the Christians in Corinth, as well–people thought it didn’t matter what they ate or who they slept with.)

“Jezebel” in Thyatira told her followers to just blend in with mainstream society. St. John did not want the Christians to assimilate at all with the society in which they lived. “How much assimilation is acceptable?” was a difficult question that different Christian teachers answered in different ways in different places at different times.

“Domine dirige nos:” The Dragon of London

The dragon guarding the Southwark landing of the London Bridge is the location of an important episode in Kate Griffin’s “Midnight Mayor.”

At the heart of London are two cities: the City of London and the City of Westminster. The City of London is the ancient part of London that was once known as the Roman city of Londinium. It comprises an area of one square mile and is located north of South Bank and London Bridge. Dragons stand guard at the ancient gates into the ancient city of London, at the bridges and main streets that now bring people into and out of old London. As guardians or gatekeepers of the City all the dragons face outwards, so if the dragon is looking at you, you’re outside the City, if he has his back to you, you’re inside the City. The dragons are poised to protect the City from those coming to attack.

The dragons lean on the shield of London, which show a red cross on a white background and a small red sword. red cross on a white background is the flag of St. George, patron saint of England (along with many other nations around the world). Inside the top left-hand quarter of the flag there is an upright red sword. This commemorates St. Paul, the patron saint of the City of London. Since the 7th century there has been a cathedral dedicated to St Paul on Ludgate Hill in the City. The sword commemorates Paul’s beheading by sword in Rome c. 66 AD during the persecution of Christians under Nero. The Latin motto of London, “Domine dirige nos” (“O Lord, direct/guide us”) is also seen below the dragon and shield.

Why dragons? The reason seems lost in the mists of time. Some suspect the London dragon–which is silver or white–is an old Saxon emblem set to attack the ancient Welsh emblem of another (red) dragon. Some think the London dragon is derived from the story of St. George. Others think that the London dragon is just another dragon commonly used in heraldry to display coats-of-arms and shields. But I like how Kate Griffin describes the dragon that simply IS London in her novel Midnight Mayor:

It was…

dragon didn’t quite cover it.

Dragon implies something made out of scales, with a nod in the direction of reptilian ancestry: dinosaur meets flamethrower with wings….

To say it was made of shadows would be to imply that light or darkness even got a look-in. Sure, it had crawled out if them, in the way that the diplodocus had once crawled out of the ameba of the sea. And if a comet came from the heavens to smash it, it wouldn’t be squished, just spread so wide and thin across the earth that it would look like night had fallen down, dragging all the stars with it–before, with a good thorough shake to push the stardust off its skin, the creature slid back to its brilliant, angry, maddened shape.

Of course, the dragon might itself be said to have attacked the City in the Great Fire. The Great Fire of London was the conflagration that swept through the central parts of the City from Sunday, 2 September to Thursday, 6 September 1666. The fire gutted the medieval City of London inside the old Roman city wall.

A dragon on the Holborn Viaduct in London. (photo by S. Morris)